Folder designs interfaces, publications, and systems for organizing, encountering, and carrying information forward. We help museums, universities, civic institutions, and others engaged in the stewardship and sharing of knowledge create ways for language, media, and material to surface and endure.
We are interested in what happens to information over time, and how form can reveal the connections that give it meaning. Projects come in a variety of configurations rooted in partnerships that honor the material and its strategic presentation.
The Design Media Arts program at UCLA has led the field in computational art and design since the 1990s, shaping how artists use and think about emerging technologies. The website highlights student and alumni activity while supporting department operations and acting as a repository for its lectures and programming.
Shigeru Ban: Timber in Architecture presents 45 works from concept through construction, demonstrating the challenges and merits of wood buildings through essays, technical drawings, and photographs. This work continues on learnings presented in Shigeru Ban: Paper in Architecture as it traces Ban’s contributions to the evolution of mass timber as a commercially viable, highly competitive structural solution in a variety of forms.
BeHere / 1942 is the companion book to media artist Masaki Fujihata’s project and exhibition at the Japanese American National Museum reframing the historic forced incarceration of Japanese Americans during World War II through photographic detective work and re-examination through augmented reality. This volume contains a variety of contributions each of which engages with the history of the incarceration and its representation in photographs and exhibitions.
Masaki Fujihata’s multimedia project and exhibition at the Japanese American National Museum re-examines the Japanese American Incarceration through the lens of various media forms, from hyper-enlarged photographs to cutting-edge augmented reality technology, to help us see, in a new light, this dark moment in the history of Los Angeles, and of the United States.
A Section of Now: Social Norms and Rituals as Sites for Architectural Intervention is the companion publication to the exhibition presented by the Canadian Centre for Architecture. The reader, published in both French and English, brings projects presented in the show into contact with critical essays by sociologists, technologists, and cultural critics diagnosing the meta-societal landscapes on which the architecture intervenes.
Multivalent values of family, property ownership, activism, work, technology, and life expectations are mirrored through architectural postures in A Section of Now presented by the Canadian Centre for Architecture. The exhibition brings together a highly ecumenical mix of architecture projects, documentary photography, pop-culture artifacts, and commercial products. The graphic design for the show reflects the corporate backdrop of the themes through logo-like supergraphics which read sharply while remaining formally vague enough to encompass conflicting propositions.
Catching Up With Life is a year-long, institution-wide research investigation launched in March 2021 by the CCA, culminating in the exhibition A Section of Now: Social Norms and Rituals as Sites for Architectural Intervention. The multi-platform investigation took place through distinct physical, digital, and broadcast channels including online editorials, live-streamed public programs, documentary filmmaking, audio podcasting, and social media pilots.
Japan Story is an academic research platform and course at Harvard GSD originating from a series of intense, high-profile symposiums and interdisciplinary panel discussions centered around urbanization and the future of the city. The project follows distinct threads of pedagogy, conversations, drawings, translated texts, literature, visual culture, critical essays, and music.
