Folder designs interfaces, publications, and systems for organizing, encountering, and carrying information forward. We help museums, universities, civic institutions, and others engaged in the stewardship and sharing of knowledge create ways for language, media, and material to surface and endure.
We are interested in what happens to information over time, and how form can reveal the connections that give it meaning. Projects come in a variety of configurations rooted in partnerships that honor the material and its strategic presentation.
Hosted at UCLA, Experimental Translations in/with East Asian Languages was a translingual laboratory challenging Eurocentric models by exploring East Asian translation through visual poetics, media materiality, and radical creative formats. The word “translation,” in Chinese, Korean, and Japanese, is built as one wood-joined object, shown from five angles as it moves between the three scripts.
Renaissance: A New Museum for Princeton marks the completion and reopening of the new Princeton University Art Museum. Shot in its final year of construction, Richard Barnes’s photographs show the building across changing seasons and in relation to the surrounding campus. An essay by museum director James Christen Steward along with contributions by Paul Goldberger, Ron McCoy, Mark Stevens, and Susan Stewart contextualize the project within Princeton’s unique architectural history and the museum’s significance in campus life.
The World of the Benshi is a companion volume to the Art of the Benshi world tour organized by the Yanai Initiative for Globalizing Japanese Humanities. The book features more than 300 rare images compiled from archives and private collections around the world, showcasing historic movie theaters, promotional materials, and rare film stills. Essays uncover the phenomenon of the benshi stardom, evolution of the theater architecture, how live performance changed in Japan in the silent film era.
BeHere / 1942 is the companion book to media artist Masaki Fujihata’s project and exhibition at the Japanese American National Museum reframing the historic forced incarceration of Japanese Americans during World War II through photographic detective work and re-examination through augmented reality. This volume contains a variety of contributions each of which engages with the history of the incarceration and its representation in photographs and exhibitions.
Masaki Fujihata’s multimedia project and exhibition at the Japanese American National Museum re-examines the Japanese American Incarceration through the lens of various media forms, from hyper-enlarged photographs to cutting-edge augmented reality technology, to help us see, in a new light, this dark moment in the history of Los Angeles, and of the United States.
Ghostly International is a pioneering American independent record label and art company founded in 1999, merging boundary-pushing music with museum-grade graphic design and curated objects. The website is a full-featured web store and online archive, documenting it’s historic run and broad influence across genres.
