Folder designs interfaces, publications, and systems for organizing, encountering, and carrying information forward. We help museums, universities, civic institutions, and others engaged in the stewardship and sharing of knowledge create ways for language, media, and material to surface and endure.
We are interested in what happens to information over time, and how form can reveal the connections that give it meaning. Projects come in a variety of configurations rooted in partnerships that honor the material and its strategic presentation.
A singular figure in twentieth-century architecture, Paul R. Williams (1894–1980) transformed both the architectural profession and the built environment of his native Southern California in a career that spanned from the 1910s to the early 1970s. The most prominent Black American architect of his era, Williams succeeded despite systemic racism, diversifying the public face of the profession and inspiring future generations.
The Los Angeles County Museum of Art houses the largest museum collection in the western United States. The new online platform comprises of a cleanly rebuilt data endpoint paired with a restrained interface design that gives nuanced object records common structure while preserving distinctions in attribution, dating, and depth of scholarship.
Parergon: Japanese Art of the 1980s and 1990s is the exhibition catalog for the landmark two-part exhibition curated by Mika Yoshitake at Blum & Poe. It is a definitive English-language primer and primary text for a largely undocumented period of Japanese art history, between the 1970s Mono-ha movement and the Neo-Pop era. The catalog features performance photography, installation shots, curatorial essays, socio-political analysis, textimonials, artist interviews, underground noise profiles, and music ephemera.
