Folder designs interfaces, publications, and systems for organizing, encountering, and carrying information forward. We help museums, universities, civic institutions, and others engaged in the stewardship and sharing of knowledge create ways for language, media, and material to surface and endure.
We are interested in what happens to information over time, and how form can reveal the connections that give it meaning. Projects come in a variety of configurations rooted in partnerships that honor the material and its strategic presentation.
The Summer 2026 issue of the magazine features Minor White’s Two Waves and Pitted Rock on its cover highlighting PUAM’s summer exhibition Photography as a Way of Life. The show examines the overlapping careers of Minor White, Aaron Siskind, and Harry Callahan who redefined photography in the mid-twentieth century.
Hosted at UCLA, Experimental Translations in/with East Asian Languages was a translingual laboratory challenging Eurocentric models by exploring East Asian translation through visual poetics, media materiality, and radical creative formats. The word “translation,” in Chinese, Korean, and Japanese, is built as one wood-joined object, shown from five angles as it moves between the three scripts.
The Spring 2026 issue of the magazine features Willem de Kooning: The Breakthrough Years, 1945–50, with an archival photograph of the artist in his studio on the cover. The show exhibits 18 tightly selected masterworks sourced from more than a dozen prestigious museums and private collections, looking at the 5-year window where de Kooning formulated the visual language that would define his entire career.
Limited-edition exhibition zine for Ryan McGinley’s first solo show in nearly a decade. Shot exclusively from Sunday through Tuesday between 9 pm and 5 am across all five boroughs of New York City during a self-imposed graveyard shift.
Renaissance: A New Museum for Princeton marks the completion and reopening of the new Princeton University Art Museum. Shot in its final year of construction, Richard Barnes’s photographs show the building across changing seasons and in relation to the surrounding campus. An essay by museum director James Christen Steward along with contributions by Paul Goldberger, Ron McCoy, Mark Stevens, and Susan Stewart contextualize the project within Princeton’s unique architectural history and the museum’s significance in campus life.
Limited-edition exhibition booklet for Sharif Farrag’s Hybrid Moments serving as an intimate guidebook to the artist’s background and visual language. The dictionary is adapted from Farrag’s MFA thesis at UCLA, which he treats as an evolving real-time record of his perspectives.
A Section of Now: Social Norms and Rituals as Sites for Architectural Intervention is the companion publication to the exhibition presented by the Canadian Centre for Architecture. The reader, published in both French and English, brings projects presented in the show into contact with critical essays by sociologists, technologists, and cultural critics diagnosing the meta-societal landscapes on which the architecture intervenes.
Book featuring spreads from Informational Affairs, the studio’s ongoing collection of found books. Produced for By the Books, an exhibition organized by AXAXAXA in Vevey, Switzerland.
