Folder designs interfaces, publications, and systems for organizing, encountering, and carrying information forward. We help museums, universities, civic institutions, and others engaged in the stewardship and sharing of knowledge create ways for language, media, and material to surface and endure.
We are interested in what happens to information over time, and how form can reveal the connections that give it meaning. Projects come in a variety of configurations rooted in partnerships that honor the material and its strategic presentation.
Hosted at UCLA, Experimental Translations in/with East Asian Languages was a translingual laboratory challenging Eurocentric models by exploring East Asian translation through visual poetics, media materiality, and radical creative formats. The word “translation,” in Chinese, Korean, and Japanese, is built as one wood-joined object, shown from five angles as it moves between the three scripts.
The World of the Benshi is a companion volume to the Art of the Benshi world tour organized by the Yanai Initiative for Globalizing Japanese Humanities. The book features more than 300 rare images compiled from archives and private collections around the world, showcasing historic movie theaters, promotional materials, and rare film stills. Essays uncover the phenomenon of the benshi stardom, evolution of the theater architecture, how live performance changed in Japan in the silent film era.
The Art of the Benshi World Tour, presented by the Yanai Initiative and the UCLA Film & Television Archive, brings the rare, century-old Japanese cinematic tradition back to live audiences. The tour travels to New York, Washington, D.C., Chicago, Los Angeles, Tokyo, Provo, and Santa Barbara.
BeHere / 1942 is the companion book to media artist Masaki Fujihata’s project and exhibition at the Japanese American National Museum reframing the historic forced incarceration of Japanese Americans during World War II through photographic detective work and re-examination through augmented reality. This volume contains a variety of contributions each of which engages with the history of the incarceration and its representation in photographs and exhibitions.
Masaki Fujihata’s multimedia project and exhibition at the Japanese American National Museum re-examines the Japanese American Incarceration through the lens of various media forms, from hyper-enlarged photographs to cutting-edge augmented reality technology, to help us see, in a new light, this dark moment in the history of Los Angeles, and of the United States.
Fast paced album art guessing game featuring hundreds of iconic New York, electronic, hip-hop, and metal record sleeves. Guess correctly to top the leaderboards and reveal the history of the albums and their artwork. Sequels of the game were later developed for RBMA France, Germany, and Brazil.
Interactive project for Red Bull Music Academy created in collaboration with ten electronic artists. Features tracks built from mixable stems that shift in tempo and mood, paired with public-domain footage reflecting the emotional range of each composition.
Pulling from a bank of over 700 carefully curated images including album covers, found footage, and original content, Endless 80s NYC explores ten of the most influential New York record labels from the 80s and pays homage to the vibrant energy and blending of cultures that took place in the city during that decade. Awards: 11th Macau Design Biennial, 2018.
