Folder designs interfaces, publications, and systems for organizing, encountering, and carrying information forward. We help museums, universities, civic institutions, and others engaged in the stewardship and sharing of knowledge create ways for language, media, and material to surface and endure.
We are interested in what happens to information over time, and how form can reveal the connections that give it meaning. Projects come in a variety of configurations rooted in partnerships that honor the material and its strategic presentation.
CCA’s 2026 holiday card features Andy Lu Lee’s American Remediation, uncovering how the state used the illusion of scientific neutrality to legitimize territorial expansion. The exhibition subverts Cold War-era propaganda by physically tracing a decaying archival film along the global pathways of its circulation and consequence.
The 1871 Memorial Project supports the construction of a physical memorial near the Chinese American Museum to honor the victims of the 1871 Chinese Massacre. The project comes out of an open call from the City of Los Angeles Department of Cultural Affairs. Artist Sze Tsung Nicolás Leong and writer Judy Chui-Hua Chung’s design centers around guardian banyan trees in Sze Yup (四邑) where the first waves of Chinese immigrants to the United States originate.
Originally run from a five-room historic Tudor home, Parker Gallery moved operations to a classic mid-century commercial structure on Melrose Blvd to provide artists with a more accessible, public-facing platform. The gallery is known for its focus on exhibitions which champion under-recognized artists with unique roots.
Limited-edition exhibition booklet for Sharif Farrag’s Hybrid Moments serving as an intimate guidebook to the artist’s background and visual language. The dictionary is adapted from Farrag’s MFA thesis at UCLA, which he treats as an evolving real-time record of his perspectives.
