Folder designs interfaces, publications, and systems for organizing, encountering, and carrying information forward. We help museums, universities, civic institutions, and others engaged in the stewardship and sharing of knowledge create ways for language, media, and material to surface and endure.
We are interested in what happens to information over time, and how form can reveal the connections that give it meaning. Projects come in a variety of configurations rooted in partnerships that honor the material and its strategic presentation.
Parergon: Japanese Art of the 1980s and 1990s is the exhibition catalog for the landmark two-part exhibition curated by Mika Yoshitake at Blum & Poe. It is a definitive English-language primer and primary text for a largely undocumented period of Japanese art history, between the 1970s Mono-ha movement and the Neo-Pop era. The catalog features performance photography, installation shots, curatorial essays, socio-political analysis, textimonials, artist interviews, underground noise profiles, and music ephemera.
Maison D’art Los Angeles is a distinct contemporary art gallery housed inside a 1928 Greek Revival-style building on Melrose. The gallery specializes in a carefully curated historical and contemporary art program, hosting standout exhibitions spotlighting major artists such as William L. Hawkins, Cy Twombly, Andy Warhol, Claes Oldenburg, and Man Ray.
New Images of Man is both a tribute to and a radical revision of Peter Selz’s controversial 1959 exhibition of the same name at MoMA New York. The show pushes against the homogeneity of the original, asking what figurative art means when freed from midcentury Western gatekeeping. The catalog doubles down on the self-referential nature of the show using Dave Muller’s massive wall painting of Selz’s original 1959 book cover as its own.
An online platform developed for the Gallery Association Los Angeles during the city’s gallery shutdowns in 2020. The website presents weekly viewing rooms and curated projects, sustaining a shared presence for Los Angeles galleries when in-person exhibitions were paused.
The Canadian Centre for Architecture’s contribution to Arts of the Working Class as part of the German Pavilion at the 17th Venice Architecture Biennale. The timeline introduces upcoming themes and programs the CCA is slated to explore in the upcoming decade.
Limited edition toothbrush designed in celebration of ABC Dinamo’s 10 year anniversary. Dinamo invited 10 graphic designers, studios, and artists from their creative community to express themselves on a tiny canvas. The slogan draws a parallel between maintaining oral hygiene and the daily repetition required to run a creative practice.
