Folder designs interfaces, publications, and systems for organizing, encountering, and carrying information forward. We help museums, universities, civic institutions, and others engaged in the stewardship and sharing of knowledge create ways for language, media, and material to surface and endure.
We are interested in what happens to information over time, and how form can reveal the connections that give it meaning. Projects come in a variety of configurations rooted in partnerships that honor the material and its strategic presentation.
The Art Parade is a large-scale public celebration marking the opening of the David Geffen Galleries. Conceived two decades ago by influential art dealer and curator Jeffrey Deitch, this Los Angeles edition marks a pivotal moment in LACMA's history and for the city itself.
The 1871 Memorial Project supports the construction of a physical memorial near the Chinese American Museum to honor the victims of the 1871 Chinese Massacre. The project comes out of an open call from the City of Los Angeles Department of Cultural Affairs. Artist Sze Tsung Nicolás Leong and writer Judy Chui-Hua Chung’s design centers around guardian banyan trees in Sze Yup (四邑) where the first waves of Chinese immigrants to the United States originate.
Originally run from a five-room historic Tudor home, Parker Gallery moved operations to a classic mid-century commercial structure on Melrose Blvd to provide artists with a more accessible, public-facing platform. The gallery is known for its focus on exhibitions which champion under-recognized artists with unique roots.
The creative practice of sisters Kimberly and Nancy Wu, Building Block is the influential, Los Angeles-based accessories brand merging industrial design principles with fashion. Their practice is defined by products which fit together as part of an enduring, cohesive visual language rather than in rapid-fire seasons.
Bungaku Bideo is a film series bringing together films rooted in literature, moving poetry exploring the relationship between cinematic and written form. The initiative partnered with acclaimed independent animators and contemporary writers to introduce Japanese prose and poetry to international film festival audiences.
USC Arts Now breaks down traditional academic silos to ignite cross-disciplinary collaborations across the university's arts schools, museums, and global creative networks. Its programming brings artistic practice into dialogue with health sciences, computing, and climate research.
GALLERYPLATFORM.LA is a project of Gallery Association Los Angeles, GA(LA), created to serve the dynamic Los Angeles art community with exhibition and event information and original editorial content.
Gallery 98 is an active online archive for curator Marc H. Miller’s collection of arts ephemera from the 1960s–1990s, centered around his long involvement in the New York art world. The collection catalogs thousands of items across announcement cards, posters, and publications connected through artists, galleries, nightclubs, and themes, while retaining the hand-built nature of Miller’s practice.
A Section of Now travels to the Triennale Milano as part of its Home Sweet Home exhibition. The exhibition marks 100 years of the Triennale Milano and critically examines how the concept of the home and domestic living has evolved through that time.
The Design Media Arts program at UCLA has led the field in computational art and design since the 1990s, shaping how artists use and think about emerging technologies. The website highlights student and alumni activity while supporting department operations and acting as a repository for its lectures and programming.
The City of Los Angeles Department of Cultural Affairs, in collaboration with the Civic Memory Group, issued an open, free-to-enter request for ideas for a physical monument addressing the largest mass killing of Chinese immigrants in Los Angeles history, an event that remained largely unacknowledged and fragmented for over 150 years.
Masaki Fujihata’s multimedia project and exhibition at the Japanese American National Museum re-examines the Japanese American Incarceration through the lens of various media forms, from hyper-enlarged photographs to cutting-edge augmented reality technology, to help us see, in a new light, this dark moment in the history of Los Angeles, and of the United States.
Japan Past & Present (JPP) is a global information hub and digital repository created to promote research, teaching, and collaboration in Japanese humanities. The initiative provides and presents grant opportunities, digital projects, global networks, educational resources, student workshops, institutional partnerships, researcher directories, and translation databases.
Hand-screened artist edition long-sleeve mockneck, featuring a kimono belonging to Takumi’s grandmother, an odori master. The pale pattern printed across the garment resembles sunlight filtered through foliage and screens.
Multivalent values of family, property ownership, activism, work, technology, and life expectations are mirrored through architectural postures in A Section of Now presented by the Canadian Centre for Architecture. The exhibition brings together a highly ecumenical mix of architecture projects, documentary photography, pop-culture artifacts, and commercial products. The graphic design for the show reflects the corporate backdrop of the themes through logo-like supergraphics which read sharply while remaining formally vague enough to encompass conflicting propositions.
Catching Up With Life is a year-long, institution-wide research investigation launched in March 2021 by the CCA, culminating in the exhibition A Section of Now: Social Norms and Rituals as Sites for Architectural Intervention. The multi-platform investigation took place through distinct physical, digital, and broadcast channels including online editorials, live-streamed public programs, documentary filmmaking, audio podcasting, and social media pilots.
Japan Story is an academic research platform and course at Harvard GSD originating from a series of intense, high-profile symposiums and interdisciplinary panel discussions centered around urbanization and the future of the city. The project follows distinct threads of pedagogy, conversations, drawings, translated texts, literature, visual culture, critical essays, and music.
An online platform developed for the Gallery Association Los Angeles during the city’s gallery shutdowns in 2020. The website presents weekly viewing rooms and curated projects, sustaining a shared presence for Los Angeles galleries when in-person exhibitions were paused.
Limited edition toothbrush designed in celebration of ABC Dinamo’s 10 year anniversary. Dinamo invited 10 graphic designers, studios, and artists from their creative community to express themselves on a tiny canvas. The slogan draws a parallel between maintaining oral hygiene and the daily repetition required to run a creative practice.
dublab is the pioneering, non-profit community radio station and cultural institution in Los Angeles founded in 1999. Future Roots Radio connects music of the past as the foundation for today, and today’s music as the roots of tomorrow. The website is an internet checkpoint in LA featuring live broadcasts and the foundation‘s broadcast archive in full.
Posters, postcards, and digital materials for the UCLA Design Media Arts MFA Lecture Series. A modular system of shapes and typography allows each poster to shift in tone, from abstract to technical, while maintaining a unified structure across the series.
