Folder designs interfaces, publications, and systems for organizing, encountering, and carrying information forward. We help museums, universities, civic institutions, and others engaged in the stewardship and sharing of knowledge create ways for language, media, and material to surface and endure.
We are interested in what happens to information over time, and how form can reveal the connections that give it meaning. Projects come in a variety of configurations rooted in partnerships that honor the material and its strategic presentation.
Annual report for a year that featured a Naruse Mikio retrospective, The Art of the Benshi world tour, Bungaku Bideo literary animation series, English-language nō performances, Japanese Materials Digitization Project, Japan Past & Present, emerging literary translator mentorships, and Strangers Press’s Kanata translation series.
Hosted at UCLA, Experimental Translations in/with East Asian Languages was a translingual laboratory challenging Eurocentric models by exploring East Asian translation through visual poetics, media materiality, and radical creative formats. The word “translation,” in Chinese, Korean, and Japanese, is built as one wood-joined object, shown from five angles as it moves between the three scripts.
Bungaku Bideo is a film series bringing together films rooted in literature, moving poetry exploring the relationship between cinematic and written form. The initiative partnered with acclaimed independent animators and contemporary writers to introduce Japanese prose and poetry to international film festival audiences.
The World of the Benshi is a companion volume to the Art of the Benshi world tour organized by the Yanai Initiative for Globalizing Japanese Humanities. The book features more than 300 rare images compiled from archives and private collections around the world, showcasing historic movie theaters, promotional materials, and rare film stills. Essays uncover the phenomenon of the benshi stardom, evolution of the theater architecture, how live performance changed in Japan in the silent film era.
The Art of the Benshi World Tour, presented by the Yanai Initiative and the UCLA Film & Television Archive, brings the rare, century-old Japanese cinematic tradition back to live audiences. The tour travels to New York, Washington, D.C., Chicago, Los Angeles, Tokyo, Provo, and Santa Barbara.
Finely produced in limited quantities, this hand scroll was created for supporters of Masaki Fujhata’s BeHere / 1942 project. The makimono features an extended print of the augmented reality artwork showing Japanese Americans in line with their belongings, boarding buses bound for internment camps.
BeHere / 1942 is the companion book to media artist Masaki Fujihata’s project and exhibition at the Japanese American National Museum reframing the historic forced incarceration of Japanese Americans during World War II through photographic detective work and re-examination through augmented reality. This volume contains a variety of contributions each of which engages with the history of the incarceration and its representation in photographs and exhibitions.
Masaki Fujihata’s multimedia project and exhibition at the Japanese American National Museum re-examines the Japanese American Incarceration through the lens of various media forms, from hyper-enlarged photographs to cutting-edge augmented reality technology, to help us see, in a new light, this dark moment in the history of Los Angeles, and of the United States.
Japan Past & Present (JPP) is a global information hub and digital repository created to promote research, teaching, and collaboration in Japanese humanities. The initiative provides and presents grant opportunities, digital projects, global networks, educational resources, student workshops, institutional partnerships, researcher directories, and translation databases.
dublab is the pioneering, non-profit community radio station and cultural institution in Los Angeles founded in 1999. Future Roots Radio connects music of the past as the foundation for today, and today’s music as the roots of tomorrow. The website is an internet checkpoint in LA featuring live broadcasts and the foundation‘s broadcast archive in full.
Third issue of Ed, Archinect’s print magazine. Brings together essays and visual contributions questioning the norms that shape architectural practice and its institutions, and proposing alternative frameworks for how architecture relates to labor, bodies, and social structures. More info ⎘
Archinect has served as a digital home and unfiltered pulse for the architecture community since 1997. Its jobs board is widely considered the go-to resource for on-the-ground information in the field. The visualizer flips the traditional job search on its head by presenting employers through their built work and design portfolios first, rather than walls of requirements.
Second issue of Ed, Archinect’s print magazine. Brings together texts and projects examining the disasters shaping contemporary life and architecture’s position within them. Rather than proposing solutions, the issue reflects on responsibility, uncertainty, and the discipline’s entanglement in the crises it seeks to address. More info ⎘
Inaugural issue of Ed, Archinect’s print magazine. Examines how architecture operates within broader social, economic, and technological systems, and considers how the discipline might be reimagined through alternative frameworks of practice and thought. More info
