Folder designs interfaces, publications, and systems for organizing, encountering, and carrying information forward. We help museums, universities, civic institutions, and others engaged in the stewardship and sharing of knowledge create ways for language, media, and material to surface and endure.
We are interested in what happens to information over time, and how form can reveal the connections that give it meaning. Projects come in a variety of configurations rooted in partnerships that honor the material and its strategic presentation.
The Fall 2026 issue of the magazine features Basquiat, the Blue Ribbon Paintings and the art of Reproduction, the Jean-Michel Basquiat retrospective featuring over 50 works examining his radical engagement with printmaking, replication, and postmodern concepts of authorship and appropriation.
The Summer 2026 issue of the magazine features Minor White’s Two Waves and Pitted Rock on its cover highlighting PUAM’s summer exhibition Photography as a Way of Life. The show examines the overlapping careers of Minor White, Aaron Siskind, and Harry Callahan who redefined photography in the mid-twentieth century.
The Spring 2026 issue of the magazine features Willem de Kooning: The Breakthrough Years, 1945–50, with an archival photograph of the artist in his studio on the cover. The show exhibits 18 tightly selected masterworks sourced from more than a dozen prestigious museums and private collections, looking at the 5-year window where de Kooning formulated the visual language that would define his entire career.
Renaissance: A New Museum for Princeton marks the completion and reopening of the new Princeton University Art Museum. Shot in its final year of construction, Richard Barnes’s photographs show the building across changing seasons and in relation to the surrounding campus. An essay by museum director James Christen Steward along with contributions by Paul Goldberger, Ron McCoy, Mark Stevens, and Susan Stewart contextualize the project within Princeton’s unique architectural history and the museum’s significance in campus life.
Maison D’art Los Angeles is a distinct contemporary art gallery housed inside a 1928 Greek Revival-style building on Melrose. The gallery specializes in a carefully curated historical and contemporary art program, hosting standout exhibitions spotlighting major artists such as William L. Hawkins, Cy Twombly, Andy Warhol, Claes Oldenburg, and Man Ray.
