Folder designs interfaces, publications, and systems for organizing, encountering, and carrying information forward. We help museums, universities, civic institutions, and others engaged in the stewardship and sharing of knowledge create ways for language, media, and material to surface and endure.
We are interested in what happens to information over time, and how form can reveal the connections that give it meaning. Projects come in a variety of configurations rooted in partnerships that honor the material and its strategic presentation.
Hosted at UCLA, Experimental Translations in/with East Asian Languages was a translingual laboratory challenging Eurocentric models by exploring East Asian translation through visual poetics, media materiality, and radical creative formats. The word “translation,” in Chinese, Korean, and Japanese, is built as one wood-joined object, shown from five angles as it moves between the three scripts.
Post Human documents the 2024 revival of Jeffrey Deitch’s foundational 1992 exhibition. The original exhibition featured thirty-six artists working at the intersection of the body and technology and helped set the agenda for 1990s art discourse. The 2024 exhibition brings original participants into dial ogue with a new generation, expanding the discussion to contemporary concepts of technology and the body.
Renaissance: A New Museum for Princeton marks the completion and reopening of the new Princeton University Art Museum. Shot in its final year of construction, Richard Barnes’s photographs show the building across changing seasons and in relation to the surrounding campus. An essay by museum director James Christen Steward along with contributions by Paul Goldberger, Ron McCoy, Mark Stevens, and Susan Stewart contextualize the project within Princeton’s unique architectural history and the museum’s significance in campus life.
A Section of Now: Social Norms and Rituals as Sites for Architectural Intervention is the companion publication to the exhibition presented by the Canadian Centre for Architecture. The reader, published in both French and English, brings projects presented in the show into contact with critical essays by sociologists, technologists, and cultural critics diagnosing the meta-societal landscapes on which the architecture intervenes.
Parergon: Japanese Art of the 1980s and 1990s is the exhibition catalog for the landmark two-part exhibition curated by Mika Yoshitake at Blum & Poe. It is a definitive English-language primer and primary text for a largely undocumented period of Japanese art history, between the 1970s Mono-ha movement and the Neo-Pop era. The catalog features performance photography, installation shots, curatorial essays, socio-political analysis, textimonials, artist interviews, underground noise profiles, and music ephemera.
Book featuring spreads from Informational Affairs, the studio’s ongoing collection of found books. Produced for By the Books, an exhibition organized by AXAXAXA in Vevey, Switzerland.
Anthology of the first one hundred books from Informational Affairs, the studio’s ongoing collection of found and secondhand books. Documents the project’s early focus on publishing, collecting, and design as forms of research.
