Folder designs interfaces, publications, and systems for organizing, encountering, and carrying information forward. We help museums, universities, civic institutions, and others engaged in the stewardship and sharing of knowledge create ways for language, media, and material to surface and endure.
We are interested in what happens to information over time, and how form can reveal the connections that give it meaning. Projects come in a variety of configurations rooted in partnerships that honor the material and its strategic presentation.
Renaissance: A New Museum for Princeton marks the completion and reopening of the new Princeton University Art Museum. Shot in its final year of construction, Richard Barnes’s photographs show the building across changing seasons and in relation to the surrounding campus. An essay by museum director James Christen Steward along with contributions by Paul Goldberger, Ron McCoy, Mark Stevens, and Susan Stewart contextualize the project within Princeton’s unique architectural history and the museum’s significance in campus life.
Gallery 98 is an active online archive for curator Marc H. Miller’s collection of arts ephemera from the 1960s–1990s, centered around his long involvement in the New York art world. The collection catalogs thousands of items across announcement cards, posters, and publications connected through artists, galleries, nightclubs, and themes, while retaining the hand-built nature of Miller’s practice.
The Carnegie Museum of Art is the first museum in the United States dedicated to collecting art of its times. In other words, it’s the first museum dedicated to contemporary art. The website features an expressive typography forward approach which maintains its legibility through a robust and modular design system, and is reflected in its data model and backend user experience.
A Section of Now: Social Norms and Rituals as Sites for Architectural Intervention is the companion publication to the exhibition presented by the Canadian Centre for Architecture. The reader, published in both French and English, brings projects presented in the show into contact with critical essays by sociologists, technologists, and cultural critics diagnosing the meta-societal landscapes on which the architecture intervenes.
